Love and Light, Thokoza, Hutuapo or Hotep …
These are some of the words that we usually use to greet each other whenever we chat with my Spiritual brothers, either Eugene Skeef, Nduduzo Makhathini, Madoda Mditshwa, Zwelibanzi Dlamini and a few others. We do not use typical greetings because we are not typical. There is nothing predictable about us besides the Love we exude for Life, People, the Motherland and the Omniverse. Hold that thought, we will return to those words and their meaning to us later and in other essays too, as the Spirit leads.
Earlier this evening I was dropping off some fliers at my second home, the Ethio-Eritrean Habesha Cafe’ and also still deciding whether I should attend the Poetry/Musical event hosted by my team the Nowadays Poets just across the road at One Two Seven Restaurant – but lo and behold, Mama Nomusa Xaba comes walking up the road and so after we greet the owner of Habesha Cafe’ and also passing some greetings to the Poets/Artists – I had decided to drive her home.
When we got in the car I had to change the music. I had been listening to the Australian avant garde Soul band Haitus Kaiyote, but since I was in the presence of an Elder, I decided something gentler would be better… yet I was now torn between playing Nina Simone or Jay Electronica featuring Kendrick Lemar, surely Mama Nomusa could dig that, after all she is from the USA and her Lifelong partner is the one and only premier Avant Gardist Baba Ndikho Xaba.
Anyway while I was fiddling with the music and driving up to her house, we got to talking about work relationships and how it is difficult to work with people who have not defeated their sense of self-importance, people who are either diva’s or egotists.
Mama gave me such simple yet sage advise, I found myself letting go of so much pain and confusion that had settled in my heart like a some immovable mystical heavy object. But our subject matter shifted to something more beautiful and even though it was related to the first issue of what causes relationships to break down, she was showing me how the opposite is possible if peoples hearts are Open to the Spirit of Love, Light and Godness…
Mama Nomusa being the consummate storyteller, begun telling me the story her last experience of watching and listening to Nduduzo Makhathini at the legendary Rainbow Restaurant this past weekend. Mama was simply awed by the sheer amount of Love and Healing that Makhathini brought to the music.
“He silenced the typically loud place with his big heart Menzi.”
Said Mama Nomusa, spreading her arms around us like a great white headed Eagle. “There is the music itself, but then there is the face and purity of intention, the Heart of Love of the young man … he became an Elder on the stage, as if he was evoking all the wise old men who he can easily summon from the broadness of his Love.”
As Mama Nomusa spoke, I couldn’t help remembering that Nduduzo Makhathini’s music is the daily fix at my home. Hardly a day passes in which I do not play Icilongo for my babies, or Matunda Ya Kwanza or my favourite Inner Dimensions just to cleanse the house of any bad vibes or heaviness that may settle in and hide and fester in corners that we cnnot reach by either prayer or incense. It is only Ingoma that can permeate the very crevices and sinews of the heart and the space we call home.
Ingoma YalesiSangoma iyaselapha. OkaMakhathini wazi kahle kamhlophe ukuthi uzalelweni noma umsebenzi wakhe ngqangi yimuphi emhlabeni. Njengezinye Izithunywa ZikaMvelingqangi namaThongo KaMenzi, uzokwelapha isizwe esimqondo udungekile.
It takes a heart full of ecstatic musical Love to usher in the Age of the Divine Mother. It is not by coincidence that the coming of Makhathini was preceded by two or three other great Healers who happened to be pianists, the tormented genius and Tarot-like Hanging Man – Taiwa Moses Molelekwa and the Krishna-centric Drowning Man – Bhekumuzi Hyacinth Mseleku. These two trailblazing phenomena were to music what Jesus Christ was to the Gentiles – a gate, or a door towards Higher Consciousness.
As human beings they are or were as flawed as any of us, but as Artists, whose work sets them apart as Avatars of the Universal/the Omniversal Spirit or God, they were divine beings, messengers whose sound was poured on our heads to christen or edify those who have the gift of hearing. The music or Ingoma that they do is so expansive and powerfully evocative that it exist as a strong elixir against egotism. If we can listen with a clear conscience, perhaps we can find ourselves bathing in Umsunduzi River or finally heed the message of Mseleku’s Sun Race Arise.
Of course there are many musicians in South Africa or in the world today who exude a similar aura of Shamanism or UbuNgoma. But in an age where the sheer amount of information that comes through is dazzling, where does one go or what can one do to simply soak in the vastness of the gifts of Ingoma – Ingoma ka-Omar Sosa, Ingoma ka-Christian Atunde Adjuah Scott, nengoma ka Kendrick Lemar, The Soil, The Brother Moves On, Existing Consciousness nabanye abelaphi …?
As we do not see each other as much as we would wish to, Mama Nomusa and I spoke about other influential Leaders we both have known. One of them being Shekem ur Shekem aka Ra Un Nefer Amen. I was carrying three Divination cards from the Ausar Auset Society in the car and I had asked her to try and find me a complete pack as these belonged to my partner Yaa Ashantewaa Ngidi who kept them on her desk at our Institute of Afrikology office. I was returning them today, but I seriously need my own and also to learn to use them.
Mama explained in her characteristic lightness of speech, how some of the smartest and most connected people are simply enslaved by their ego and the best way to deal with them is to Love them and leave them. “For the sake of your own journey, my son, the best thing is to leave with Love.”
I did not fully understand what she meant until I put on Joshua Redman’s Timeless Tales for Changing Times – and the song that really brought home the message, was Visions.
It is the kind of music that invokes the past while affirming the significance of the present yet treads firmly as a walking bassline towards an envisioned future. . .
I am trying to put into words, how music / Ingoma helps me to figure out stuff that is supposedly not related to sounds or even to emotional matters. It is as if music is an intelligent lifeform in its own right. The players may be participating in its production but only the music /Ingoma itself knows which direction to go and if we are receptive enough, we can be carried on the wings of its Loving Kindness and perhaps only then would we appreciate the meaning of Hutuapo/Hetepu/Hotep/ Thokoza (Be Joyful) and all the words we choose to use when we see each other as Kindred Spirits.